“Racism in America is like dust in the air. It seems invisible — until you let the sun in. Then you see it’s everywhere. As long as we keep shining that light, we have a […]
Author: RIDE MUSIC
The Home of Underground Music // EST.2016 #EarsToTheUnderground
pausetheplaylist. | BLACK LIVES MATTER
In support of the Black Lives Matter movement and in memory of George Floyd and the countless others that have died as a result of racism, rather than posting our usual Friday playlist update, today […]
Introducing Fuzzbrain Music, East London’s ambitious underground label
Yes, what better way to get the vein popping juices flowing right through to my temple – which at this point houses in its sockets, cathode burned eyeballs – than a back-scratching write-up of my […]
Exploring Underground British Metalcore
Metalcore has always been a place of comfort for young metal fans. A safe haven comprised of syncopated breakdowns and mosh pits. Here we are in 2020 and the need for that escape is as […]
Track of the Week: “.ЯEDЯUM” – Freddy
After polling our Instagram followers for Track of the Week suggestions there was one artist that came up more than the rest. Multi-faceted North East of England based artist Freddy has had an incredible work […]
8 TRACKS YOU MUST HEAR THIS WEEK | 29/05/20
This ‘Ears to the Underground’ playlist update is full of big hitters and fresh artists about to set the underground alight… discover some new music and don’t forget to follow the playlist on Spotify! Featuring: Danger […]
Album Review: $NOT – ‘- TRAGEDY +’
$NOT is the 22-year-old Floridian rapper and rising star who is currently taking the social media world by storm. His 2018 single “GOSHA” bragged viral status on both YouTube and TikTok within the first few […]
Meet PEZZHEAD, the angry voice of London’s post-genre wave | NEW BLOOD
There’s a musical movement bubbling in the Capital’s underground scene that’s hard to categorise into a neat little box. Experimental, filled with emotion and usually pretty hard-hitting in one way or another, this gritty post-genre […]
